Rather than existing as inert objects, the The Stool and Table Series suggest a latent instability, as if caught mid-process—half-formed, half-eroded. Their faceted surfaces and incised contours reject the smooth clarity of conventional form, opting instead for a language of disruption, where material seems to be in the act of folding, breaking, or shifting under unseen forces. This controlled deformation resists the stillness typically associated with furniture, instead evoking an ongoing transformation.