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FUTURE IS NOT
WHAT IT USED TO BE

FUTURE IS NOT
WHAT IT USED TO BE

Arya-Safavi-Profile-Picture-Back

FUTURE IS NOT
WHAT IT USED TO BE



"design and Architecture’s greatest potential lies not in its ability to preserve the past, but in its capacity to reimagine the present."



"design and Architecture’s greatest potential lies not in its ability to preserve the past, but in its capacity to reimagine the present."



"design and Architecture’s greatest potential lies not in its ability to preserve the past, but in its capacity to reimagine the present."

2009. liquid Verticalities

At their core, the works embrace design as an active dialogue between objects and their environments.

The collection reflects an ongoing inquiry into modularity, assembly, and the dissolution of rigid boundaries. From the interlocking forms of Cloud Tableware to the continuous flow of the Scissor Chair, each piece reimagines how components interact, emphasizing fluid transitions and the absence of traditional divisions. This logic of interconnectedness extends to the Loop Bench, which contemplates time as a continuum, and the Flux Bathtub, which evokes directional movement and the potential for transformation.

Materiality and geometry are harnessed to challenge normative perceptions of functionality and presence. The Reverb Table and Infinite Mirror transform familiar forms into experiential thresholds, inviting users to perceive their surroundings—and themselves—through new frameworks of interaction. Meanwhile, the Stellar Tableware and Lut Desert Coffee Table transpose cosmic and terrestrial dynamics into tangible, everyday contexts, grounding abstract phenomena in the tactile realities of daily life.

Together, these designs propose a narrative of fluid adaptation and poetic reinterpretation. They do not necessarily confront or oppose existing paradigms but aim to evolve them, offering alternative readings that prioritize continuity, movement, and user engagement. By situating furniture and objects as sites of experience rather than mere tools or décor, this design language aligns itself with broader discourse around the porous boundaries between body, object, and space, and the enduring quest to imbue the functional with the profound.

2009. liquid Verticalities

At their core, the works embrace design as an active dialogue between objects and their environments.

The collection reflects an ongoing inquiry into modularity, assembly, and the dissolution of rigid boundaries. From the interlocking forms of Cloud Tableware to the continuous flow of the Scissor Chair, each piece reimagines how components interact, emphasizing fluid transitions and the absence of traditional divisions. This logic of interconnectedness extends to the Loop Bench, which contemplates time as a continuum, and the Flux Bathtub, which evokes directional movement and the potential for transformation.

Materiality and geometry are harnessed to challenge normative perceptions of functionality and presence. The Reverb Table and Infinite Mirror transform familiar forms into experiential thresholds, inviting users to perceive their surroundings—and themselves—through new frameworks of interaction. Meanwhile, the Stellar Tableware and Lut Desert Coffee Table transpose cosmic and terrestrial dynamics into tangible, everyday contexts, grounding abstract phenomena in the tactile realities of daily life.

Together, these designs propose a narrative of fluid adaptation and poetic reinterpretation. They do not necessarily confront or oppose existing paradigms but aim to evolve them, offering alternative readings that prioritize continuity, movement, and user engagement. By situating furniture and objects as sites of experience rather than mere tools or décor, this design language aligns itself with broader discourse around the porous boundaries between body, object, and space, and the enduring quest to imbue the functional with the profound.

studio's work is deeply rooted in research and exploration of fluidity, temporality, and the interplay between form and function.

They reject conventional dichotomies, between part and whole, utility and artistry, or object and user—in favour of an integrative approach with each piece as a dynamic system of internal relationships and external correlations.

studio's work is deeply rooted in research and exploration of fluidity, temporality, and the interplay between form and function.

They reject conventional dichotomies—between part and whole, utility and artistry, or object and user—in favour of an integrative approach with each piece as a dynamic system of internal relationships and external correlations.

2023. creased flow series

2023. creased flow series

"The research operates at the tension between the rigor of geometry and the softness of experience. Geometry insists while experience interferes—the most interesting work lives in the friction between the two."

2023. creased flow series

2007. euphonic engine

2023. creased flow series

2007. euphonic engine

academic DESIGN research and teaching focused ON systematic methodologies, PROTOTYPICAL MODELING, hybrid materiality, and controlled performance.

Arya co-leads Unit 18 at the Architectural Association School of Architecture, with viviana muscettola and nhan vo since 2020, which focuses on evolution and the balance between permanence and adaptability. Buildings not only house but also shape and influence cultural practices and production. They can serve as platforms for contemporary cultural expressions and venues for evolving societal norms. Conversely, they can also hinder the emergence of new practices, the flourishing of innovative ideas, and the diversity of practitioners and audiences.

At its core, Unit 18 is driven by the belief that architecture can play a transformative role in shaping cultural and social landscapes. The studio challenges the mono-functionality of conventional building typologies, advocating for hybrid programs that integrate diverse uses and encourage dynamic interactions. By prioritizing reuse and adaptation over demolition and redevelopment, the unit proposes strategies that extend the life of buildings and reconnect them to their urban fabric. Whether addressing the housing crisis through densification or transforming office towers into spaces of cohabitation and collective intelligence, Unit 18’s work reflects a deep commitment to architecture as a tool for addressing the complexities of contemporary life while promoting social, cultural, and environmental sustainability.

Unit 18 at the Architectural Association explores the dynamic interplay between the old and the new, examining how architecture can negotiate between preservation and transformation. The studio is rooted in a critical understanding of contemporary challenges, such as the decline of urban centers, the housing crisis, and the evolving role of cultural institutions. It seeks to address these issues by reimagining existing structures and proposing adaptive architectural strategies that respond to societal needs while fostering innovation and sustainability. By focusing on hybrid systems and the reuse of existing buildings, the unit emphasizes the potential of architecture to create meaningful connections between heritage and modernity.

The studio employs a rigorous and experimental design methodology that bridges research and practice. Students analyze built and unbuilt projects, delving into their structural, programmatic, and cultural contexts to identify opportunities for transformation. Through physical prototyping and advanced digital modeling, they develop interventions that operate at multiple scales and materialities. Techniques such as layering, nesting, blending, and fracturing are used to explore new spatial and compositional possibilities. These methods are applied to diverse sites, from London’s train stations and office towers to cultural institutions like the Royal Academy of Arts and Somerset House, enabling the creation of designs that are both responsive and visionary.


All images © Architectural association - AA unit 18 student work

All images © Architectural association

AA unit 18 student work