ts continuous form resists the fixity of conventional furniture, instead operating as a spatial inscription of recurrence, where each curve folds past and future into an ever-emerging present. The loop is not repetition, but variation; not a cycle, but a rhythm—an architecture of duration that refuses resolution. Each loop represents a stage in the passage of time, while the bridge reflects the essential present that holds the past and future in balance. The Loop Bench enacts time, rather than representing it. Its continuous form captures the cyclical nature of time—repeating, yet always shifting. Each loop marks a stage, while the bridge between them holds the present as a moment of balance, linking past and future.