SCORIA emerges as a study in the balance between solidity and void, presence and absence, inspired by the textural intricacies and porosity of scoria stone. Rooted in the theoretical frameworks that prioritize spatial interaction and temporal evolution, these sculptural objects emphasize erosion as a generative act—an active force that reveals rather than diminishes. Through meticulously carved geometries, SCORIA invites a spatial dialogue where negative space becomes as significant as the material itself. Each object’s hollowed forms, punctures, and recesses are not merely voids but spaces for light and shadow to perform. The resulting interplay transforms these pieces into dynamic participants within their environment, reacting to and shaping their surroundings over time. Conceptually tied to the evolving relationship between objects, architecture, and experience, SCORIA reframes centerpieces as more than decorative elements. They act as mediators, grounding the space while simultaneously opening it up through their interaction with light, shadow, and movement. The textured surfaces, inspired by scoria’s geological narrative, speak to time as an active agent of design, while their monumental presence anchors them firmly within the discourse of space-making. SCORIA belongs to a lineage of design where the void is not merely a counterpoint to form but a condition through which form gains meaning. By foregrounding erosion and shadow, it posits a conceptual alignment with architectural practices that emphasize the relational qualities of space, offering an alternative reading of mass, weight, and volume. These centerpieces, with their textured voids and nuanced engagements, bridge the tactile intimacy of object design with the expansive considerations of architectural space.